Death From Above 1979 - You're a Woman, I'm a Machine (Pink & Silver Splatter Coloured Vinyl)

Death From Above 1979 - You're a Woman, I'm a Machine (Pink & Silver Splatter Coloured Vinyl)
Death From Above 1979 - You're a Woman, I'm a Machine (Pink & Silver Splatter Coloured Vinyl)
Released in 2004, You're a Woman, I'm a Machine is the debut album by Canadian duo Death From Above 1979, known for its aggressive, bass-driven dance-punk sound. Tracks like "Romantic Rights" and "Black History Month" became underground hits. Today, the album is seen as a key influence on 2000s indie and punk scenes.
With just bass, drums, and vocals, Jesse F. Keeler and Sebastien Grainger create a sound that is raw, heavy, and surprisingly full, channeling distortion and rhythm into relentless grooves. Tracks like Romantic Rights, Black History Month, and Blood on Our Hands showcase the band’s ability to merge punk aggression with infectious hooks, resulting in music that’s as chaotic as it is catchy.
The album’s minimalist setup belies its intensity—every track feels urgent, sweaty, and alive, demanding both movement and volume. Its fusion of rock and dance sensibilities made it a standout in the mid-2000s indie landscape, gaining the duo international acclaim. You’re a Woman, I’m a Machine remains a defining release of its era, a bold and uncompromising debut that continues to resonate with fans of high-energy, genre-defying rock.
Tracklisting:
- Turn It Out
- Romantic Rights
- Going Steady
- Go Home, Get Down
- Blood On Our Hands
- Black History Month
- Little Girl
- Cold War
- You'Re A Woman, I'M A Machine
- Pull Out
- Sexy Results
Original: $55.52
-65%$55.52
$19.43Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Death From Above 1979 - You're a Woman, I'm a Machine (Pink & Silver Splatter Coloured Vinyl)
Released in 2004, You're a Woman, I'm a Machine is the debut album by Canadian duo Death From Above 1979, known for its aggressive, bass-driven dance-punk sound. Tracks like "Romantic Rights" and "Black History Month" became underground hits. Today, the album is seen as a key influence on 2000s indie and punk scenes.
With just bass, drums, and vocals, Jesse F. Keeler and Sebastien Grainger create a sound that is raw, heavy, and surprisingly full, channeling distortion and rhythm into relentless grooves. Tracks like Romantic Rights, Black History Month, and Blood on Our Hands showcase the band’s ability to merge punk aggression with infectious hooks, resulting in music that’s as chaotic as it is catchy.
The album’s minimalist setup belies its intensity—every track feels urgent, sweaty, and alive, demanding both movement and volume. Its fusion of rock and dance sensibilities made it a standout in the mid-2000s indie landscape, gaining the duo international acclaim. You’re a Woman, I’m a Machine remains a defining release of its era, a bold and uncompromising debut that continues to resonate with fans of high-energy, genre-defying rock.
Tracklisting:
- Turn It Out
- Romantic Rights
- Going Steady
- Go Home, Get Down
- Blood On Our Hands
- Black History Month
- Little Girl
- Cold War
- You'Re A Woman, I'M A Machine
- Pull Out
- Sexy Results












